Residència Literària Finestres

( 43 )

He worked on his second manuscript. He only went out for walks or swims if he had written enough before. His good humor was the counterpoint to Megan and Mateo’s obsession with terror.

( 41 )

Although he was the instigator of terror and interest for the paranormal, each night he returned to his cabin at Cala Canyers with fear. He performed magic tricks, told stories of shamans, and shared his lucid dreams.

( 42 )

She arrived a week later with the idea of delving into a novel about a great Catalan composer and found herself among a group fascinated by horror stories. Despite the fear, she kept herself in the harmony of her writing.

( 39 )

She is the heart of enthusiasm. One month of writing in Sanià was the equivalent of two years of work at home, even though she brought her own mobile home: thirty-two books, a painting of her daughter (a house with twenty-five windows), animal dolls (bears, a zebra, a duck, a brachiosaurus and a sloth) and photographs.

( 40 )

We knew he would come to struggle with writing and that’s why we gave him the six-window studio. There he wandered about the creative process. He thought about time, money, depression, insomnia; he wondered, ultimately, whether writing can really be a job or not. The answers will be known later. We are convinced that he won the fight.

( 38 )

She brought a synthesizer because she knows that writing alone is not enough for itself. There are other things. Not only music. Also photography. She took pictures with an analog camera that she forgot in different corners of the house. Every night she said: “My eyes are full of computer”.

( 37 )

He enlightened us with her knowledge of recreational and therapeutic drugs, the subject of her future essay. She was looking for dopamine doses in the cold waters of Cala Canyers and Sanià.

( 34 )

She established the habit of eating ice cream late at night. Every day she went out to look for a fictitious character in the forest, always wearing headphones and sunglasses.

( 35 )

He understood that, in order to find “the form”, he first had to disappear. Apart from writing what will be his first novel, he acted as Sanià’s bookseller or librarian and also gave us access to all his film platforms.

( 36 )

He had his own cabin to think, that is, to read at least one book a day. From there he wrote about the Amazon and drank Peruvian potions for literary performance.

( 31 )

She slept with a bat by her bedside to keep her work fragmentary. She took advantage of the cold waters of Cala Canyers. She arrived with a suitcase full of books. When she left, it was even heavier.

( 32 )

She handed out Blackwings 605 pencils to everyone as if she needed to arm them. Nevertheless, she fought a war alone in her study. We don’t know how many drags she took from her cigarettes on the terrace at Sanià.

( 33 )

He drew the main house from multiple angles, along with the chickens and the live cicadas. He worked on his essay on empirical or artisan or experience-based knowledge. He made a coffee maker his own.

( 43 )

He worked on his second manuscript. He only went out for walks or swims if he had written enough before. His good humor was the counterpoint to Megan and Mateo’s obsession with terror.

( 41 )

Although he was the instigator of terror and interest for the paranormal, each night he returned to his cabin at Cala Canyers with fear. He performed magic tricks, told stories of shamans, and shared his lucid dreams.

( 42 )

She arrived a week later with the idea of delving into a novel about a great Catalan composer and found herself among a group fascinated by horror stories. Despite the fear, she kept herself in the harmony of her writing.

( 39 )

She is the heart of enthusiasm. One month of writing in Sanià was the equivalent of two years of work at home, even though she brought her own mobile home: thirty-two books, a painting of her daughter (a house with twenty-five windows), animal dolls (bears, a zebra, a duck, a brachiosaurus and a sloth) and photographs.

( 40 )

We knew he would come to struggle with writing and that’s why we gave him the six-window studio. There he wandered about the creative process. He thought about time, money, depression, insomnia; he wondered, ultimately, whether writing can really be a job or not. The answers will be known later. We are convinced that he won the fight.

( 38 )

She brought a synthesizer because she knows that writing alone is not enough for itself. There are other things. Not only music. Also photography. She took pictures with an analog camera that she forgot in different corners of the house. Every night she said: “My eyes are full of computer”.

( 37 )

He enlightened us with her knowledge of recreational and therapeutic drugs, the subject of her future essay. She was looking for dopamine doses in the cold waters of Cala Canyers and Sanià.

( 34 )

She established the habit of eating ice cream late at night. Every day she went out to look for a fictitious character in the forest, always wearing headphones and sunglasses.

( 35 )

He understood that, in order to find “the form”, he first had to disappear. Apart from writing what will be his first novel, he acted as Sanià’s bookseller or librarian and also gave us access to all his film platforms.

( 36 )

He had his own cabin to think, that is, to read at least one book a day. From there he wrote about the Amazon and drank Peruvian potions for literary performance.

( 31 )

She slept with a bat by her bedside to keep her work fragmentary. She took advantage of the cold waters of Cala Canyers. She arrived with a suitcase full of books. When she left, it was even heavier.

( 32 )

She handed out Blackwings 605 pencils to everyone as if she needed to arm them. Nevertheless, she fought a war alone in her study. We don’t know how many drags she took from her cigarettes on the terrace at Sanià.

( 33 )

He drew the main house from multiple angles, along with the chickens and the live cicadas. He worked on his essay on empirical or artisan or experience-based knowledge. He made a coffee maker his own.

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